When it takes you five years to follow up a debut of near-landmark stature, you're setting yourself up for failure. Mos Def's second solo album is not disastrous, but it's a sprawling, overambitious mess. A handful of songs from this 75-minute affair feature Black Jack Johnson, the rock band Mos set up with some very respected musicians: bassist Doug Wimbish (Sugar Hill house band, Living Colour), drummer Will Calhoun (Living Colour), guitarist Dr. Know (Bad Brains), and keyboardist Bernie Worrell (Parliament/Funkadelic). Download film taiyou no uta 720p mkv.

While that's a deadly cast of support, those guests seem to have gone into this inspired more by the negligible rap-meets-rock Judgment Night soundtrack than their own past work. The grooves and riffs are basic (of the dull variety), and the vocals rarely surpass echo-heavy shouts of 'Let's go!' 'Come with it!' And 'F*ck you, pay me!' As poor as those songs are, the lowest point of the album is 'The Rape Over,' a rewrite of Jay-Z's 'The Takeover' that jacks Kanye West's beat from same that, for all its sharp rage, is ruined by the line 'Quasi-homosexuals is running this rap sh*t' (it's not a boast).

Unsurprisingly, the hottest moments tend to come when Mos sticks to what he does best. One slight exception to this is 'Modern Marvel,' a nine-minute suite smeared with a series of Marvin Gaye samples. Mos sings in whispers (he makes Pharrell sound like Luther, but he has the required spirit), momentum floats in as easy as a light breeze, and then the MC shifts into goosepimple-raising mode. Throughout the whole thing, Mos Def's conviction is apparent. Even with that in his favor, in addition to considering the extra-genre dabblings on Black on Both Sides, The New Danger sounds confused.

Aug 05, 2008  Mos Def Licensed to YouTube by UMG (on behalf of Geffen*); LatinAutor, UMPG Publishing, UBEM, EMI Music Publishing, ASCAP, CMRRA, LatinAutor - UMPG, and 4 Music Rights Societies.

It should've taken Mos at least three more records for him to reach this state of restless aimlessness. What grates most is that Q-Tip's Kamaal the Abstract, the best out of the rash of horizon-broadening records from rap artists the past few years, remains unreleased. ~ Andy Kellman.

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