The fifteen-year war in Lebanon was over in 1990, and the Lebanese are still trying to remember it. They are trying to gather together the shards of that war by patching together days and dates.

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Beirut Nightmares Ghada Samman Pdf To Jpg. Her father was Ahmed Al-Samman, a president of the Syrian University. She was deeply influenced. Beirut Nightmares. Ghada Samman. Beirut Nightmares is set at the height of the Lebanese Civil War. With the intention that the reader retain an awareness that the lack of clear division between the.

But in their focus on time they have overlooked the crucial role of space. According to Robert T. (2011, 8), “The ways in which we are situated in space determine the nature and quality of our existence in the world.” The French professor Bertrand Westphal (2011, ix), the father of geocriticism, reminds us: “For a long period, time seems to have been the main coordinate of human inscription into the world. Space only a rough container.” Indeed, in the case of the Lebanese war, space was not merely a rough container but a protagonist. The Lebanese conflict, like any civil war, has redefined not only the notions of front line and war space but also the way the population, especially women, deals with intimacy in the patriarchal Lebanese society. When the war broke out in 1975, many women scattered across Beirut started to write about their own experiences.

In the late 1980s the American professor miriam cooke (1996 [1987]) gave them a name, the Beirut Decentrists, thus highlighting their physical dispersal in the city. Cooke (1987, 4) explained that these women were decentered in a more intellectual way, as they “wrote in the capital but were tangential to its literary tradition.” But we must go beyond the dualistic logic of center-periphery to understand the notion of space in the Beirut Decentrists’ texts. Simulatlas keygen. This essay explores the notion of third space as developed by Homi K. Bhabha (1994), Edward W. Soja (1996), and Westphal (2007). Using tools of geocriticism, we will examine how the Beirut Decentrists’ texts engage with an urban space torn by war, allowing us to better understand the many layers underlying a topography of violence. 1 [End Page 102].